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Happy Holidays from Imported Artists

Happy Holidays from all of us at Imported Artists, and best wishes for the new decade to all!

Gloria Kim finishes The Auction

Congratulaltions to Gloria Kim who has just completed work on her most recent short film The Auction.  A semi-autobiographical story set in 1978, the film explores the coming of age experience of a young immigrant girl during the holidays having to compromise her idealistic dreams with the realities of everyday life.

Steve Miller's Whiskas work featured in Creativity

Creativity on-line is featuring Steve Miller's comical spots for the latest Whiskas campaign out of TBWA Toronto.  Click here to see the spots!

Harold Einstein Targets Shots

Harold Einstein's work out of Weiden & Kennedy for Target's Holiday campaign is featured in Shots online Contenders section.  Once again using a perfect eye for casting these awkward scenarios tease out the characters endemic guilt asscoiated with recieving gifts over the holidays.  Click here to see the work.

Imported Artists Re-Launches website!!!

Now that we’re on the cusp of a new decade we figured it was time to gussy up the website. Partnering up with the creative designers at Simian we’ve completely revamped all of our web features for a brand new interactive experience. It’s like a holiday gift to ourselves, one that keeps on giving,we hope you like it too!

Keith Schofield bests Lars Von Trier for most surreal mise-en-scène featuring Charlotte Gainsbourg

That’s right, Antichrist ain’t got nothing on Keith’s new video for Charlotte Gainsbourg’s “Heaven Can Wait” which sees the French actress/chanteuse performing a duet with Beck who has produced and provided instrumentation for her just released album IRM.  In the video Beck and Charlotte inhabit various scenes both comical and unsettling to make for a poignant promo. Many thanks to Keith for keeping the inferred violence offscreen though.

See a clip from the video on Keith's reel under the Caviar section of our Imported affiliates and go to our Press section to read Boards magazine’s dissection of the video.